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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 1009 Clips / 17700 minutes of video!
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![WHAT CAN YOU TELL TO MY GUN - WHAT CAN YOU TELL TO MY GUN?
Starring: Luiza, Max, Tatiana, Billy Brag.
CUSTOM
«Thank you very much. I enjoyed the movie».
From customer’s review
ONE OF THE MOST GORY SHOOTING MOVIE WE’VE EVER MADE!
Elements:
Shooting (many shots), blood, much wounds, guts, three headshots
Luiza - female character
John - male character
Gunman 1 & 2 - very brief appearance, can be any gender, or using the same actors/ actress but in different clothes/ with masks/ sun glasses to hide the identity
Location: the two story house with large staircase you used before
In a bed room upstairs.
Luiza and John are dressing up. Luiza is naked and piece by piece out on her shirt and skirt and high heel sandals (costume to be specified by me later), not wearing bras nor panty.
They joked about the great sex they just had, John was totally happy but Luiza appeared a bit perfunctory.
As Luiza pulls on her sandals, John said “you feet are really beautiful, so big, how big are they”
Luiza said “ I wear size 40, (or whatever her real size, we decide later), come, do you want one more kiss?” She teases and put one of her feet on a chair.
John kneel in front her and kissed her feet.
Luiza pull out a small syringe in her purse and plunged into John’s neck. John twitched and fell face down on the floor.
Luiza quickly moved to the desk in the room, she fumbled with the lock and opened the drawer. She took a mini SD card. She stood there and thought for.a brief moment. Then she sat down and used a sticky tape to tape chip on the insole of her sandal then put the shoe back on. (This is a chance to show the show size and a very good, closed look of her feet and toes polished in dark red).
Luiza rushed out of the room with a glee on her face. [camera showing her gait, and a lot view of feet step by step, even some slow mo]. She descended down the stairs.
We heard a gun shot.
Luiza [camer showing only her chest and above] froze in her steps, stunned expression on her face; She looked down, camera follows her gaze, down to her belly, there is a gaping exit wound on the right side of her abdomen, blood oozing out.
Camera pulls away, show Luiza full body standing on the stair, and John standing behind her on the top of the staircase, left hand pressing on his own neck, right hand holding a pistol.
He fired two more times.
Luiza jerked, and we saw two exit wound exploding out very Low on her belly, almost right above where her pubic hair would be.
She stifled a yelp and turned on her heel, seeing John with disbelief.
She looks determined to fight. She fished out a small pistol from her bag and shoot, only heard en empty click.
John smirked: “I know you might be the mole, honey, I switched out your position and also took all your bullets away”. With that, he took a small vial of liquid and several bullet from his pocket and dropped them on the floor.
Luiza: “Bastard, I am going to kill you”, she took a small switch knife out from her purse, raise it above her head and walked up the stairs with great efforts, glaring at her foe.
John fired and key firing, bullet after bullet hitting her. First on the left shoulder, she twisted and kept walking, then two on her right chest, she jerked; then one in her stomach, she bent forward then stood again, kept walking up step by step, knife raising.
John’s gun clicked empty too. There is a moment of panic in his eyes as he checked the chamber.
Luiza smirked with agony “that’s all you got? Just 7 bullets? Not even a full mag?” She gathered her last energy and landed on the top of the stair case, and raised the knife over her head.
Commotions. Foot steps from downstairs.
Two gun man enter the lobby, they are body guards ( could wear mask and sun glasses if you have too use the same actor or actress) , each holding machine guns or assault rifles. They opened fire on Luzia’s back.
Camera shows Luiza’s back and her front, Hollywood style, as she jerked in the rain of bullet, as holes open on her back and exit her front blood splatting. She tried to maintain her stand, but was pushed by the impact and staggered towards to wall.
The shooting is quite brief, a few second later the bullets stopped and Luzia was against the walk, still standing. She painfully pushed herself against the wall and turned around the face John and the gun men, leaning on the wall, full of holes, breathing with much difficulty with blood coming out of her mouth too, but she is stil standing [ some camera view of her leg and feet]
Her knife was already dropped, so was her purse.
John walked up: “Bitch, yeah, now is it enough bullet for you?”
Luzia is barely alive, and vomiting blood, but she managed a wan scoff on her beautiful face, without any weapon, she raised her right hand, with her thumb up and index finger miming a gun pointing at John, a faint final word was squeezed out of her bloody lip “bang”.
John stepped aside, motioned to his gun man (off camera), and we hear massive gun shots again and this time Luzia’s body was pushed against the wall and twitching and jerking as bullet holes were peppered all over her torso, even arms and a few on her legs, then suddenly, several rounds hit her on her forehead and even face, brains exploded from back of her head, then everything is quite and still for a moment:
Luzia was still standing, more holes on her body [but still manageable blood, not causing completed soaking, still able to see each of the bullet holes], there are 3 bullet holes on her forehead, one on her face on the cheek bone, and one on her chin [ i will confirm the location of those bullet with picture later].
After a few seconds, her body started to slide down, leaving a huge paint rush of blood and gore on the wall behind her, especially a little above where he head used to be, you can clearly see blobs of brain matters sticking on the wall.
She finally fell onto a sitting position and died, leg spreading, in an twisted, humiliating pose , but a very heroic death. Here eyes wide open; her lips half open.
John walked up, kicking her body. He squatted down next to her, holding her chin and twisted her face towards him, looking at her dead face, he spoke many humiliating words.
When he moved her body, we saw her back is totally different from her front. While the her front is still relatively “clean” where we can even count each Buttler hole, her back is totally soaked with blood and gore. The exit wounds have slit open her lower back, a large loop of intestines and organs looped on the floorm, between her back and the wall.
He finally counted total 38 bullets (including those in the head). He even reach his finger into the skull of Luzia and pulled our more pieces of brain, and played with her guts, and jeered that she is so “gutless and brainless” now. All the time Luzia’s eyes wide open and starting into emptiness with an expression of indifference.
FinallyJohn started to look for the mini SD card Luzia took. He searched her phrase but can;t find, eventually as he started to worship her feet again, he took her sandals off to kiss her feet, and found the chips. He proceeded to play with her feet, eventually put the sandals back on when he finished. [ he needs to wash hands clean before this scene, I don;t like blood on the feet]
Finally, looking at Luzia’s now messy dead body, John;s lips curled up in a sinister grin. He motioned to the gun man. They took Luzia’s arm pit and her feet, lifted her up and walked into the bedroom again.
IF YOU LIKE THIS FILM PLEASE CHECK OUT
COVID MASSACRE
TORTURE KILLER](studio/images/what_can_you_tell_to_my_gun_screens1-63e.jpg "WHAT CAN YOU TELL TO MY GUN - WHAT CAN YOU TELL TO MY GUN?
Starring: Luiza, Max, Tatiana, Billy Brag.
CUSTOM
«Thank you very much. I enjoyed the movie».
From customer’s review
ONE OF THE MOST GORY SHOOTING MOVIE WE’VE EVER MADE!
Elements:
Shooting (many shots), blood, much wounds, guts, three headshots
Luiza - female character
John - male character
Gunman 1 & 2 - very brief appearance, can be any gender, or using the same actors/ actress but in different clothes/ with masks/ sun glasses to hide the identity
Location: the two story house with large staircase you used before
In a bed room upstairs.
Luiza and John are dressing up. Luiza is naked and piece by piece out on her shirt and skirt and high heel sandals (costume to be specified by me later), not wearing bras nor panty.
They joked about the great sex they just had, John was totally happy but Luiza appeared a bit perfunctory.
As Luiza pulls on her sandals, John said “you feet are really beautiful, so big, how big are they”
Luiza said “ I wear size 40, (or whatever her real size, we decide later), come, do you want one more kiss?” She teases and put one of her feet on a chair.
John kneel in front her and kissed her feet.
Luiza pull out a small syringe in her purse and plunged into John’s neck. John twitched and fell face down on the floor.
Luiza quickly moved to the desk in the room, she fumbled with the lock and opened the drawer. She took a mini SD card. She stood there and thought for.a brief moment. Then she sat down and used a sticky tape to tape chip on the insole of her sandal then put the shoe back on. (This is a chance to show the show size and a very good, closed look of her feet and toes polished in dark red).
Luiza rushed out of the room with a glee on her face. [camera showing her gait, and a lot view of feet step by step, even some slow mo]. She descended down the stairs.
We heard a gun shot.
Luiza [camer showing only her chest and above] froze in her steps, stunned expression on her face; She looked down, camera follows her gaze, down to her belly, there is a gaping exit wound on the right side of her abdomen, blood oozing out.
Camera pulls away, show Luiza full body standing on the stair, and John standing behind her on the top of the staircase, left hand pressing on his own neck, right hand holding a pistol.
He fired two more times.
Luiza jerked, and we saw two exit wound exploding out very Low on her belly, almost right above where her pubic hair would be.
She stifled a yelp and turned on her heel, seeing John with disbelief.
She looks determined to fight. She fished out a small pistol from her bag and shoot, only heard en empty click.
John smirked: “I know you might be the mole, honey, I switched out your position and also took all your bullets away”. With that, he took a small vial of liquid and several bullet from his pocket and dropped them on the floor.
Luiza: “Bastard, I am going to kill you”, she took a small switch knife out from her purse, raise it above her head and walked up the stairs with great efforts, glaring at her foe.
John fired and key firing, bullet after bullet hitting her. First on the left shoulder, she twisted and kept walking, then two on her right chest, she jerked; then one in her stomach, she bent forward then stood again, kept walking up step by step, knife raising.
John’s gun clicked empty too. There is a moment of panic in his eyes as he checked the chamber.
Luiza smirked with agony “that’s all you got? Just 7 bullets? Not even a full mag?” She gathered her last energy and landed on the top of the stair case, and raised the knife over her head.
Commotions. Foot steps from downstairs.
Two gun man enter the lobby, they are body guards ( could wear mask and sun glasses if you have too use the same actor or actress) , each holding machine guns or assault rifles. They opened fire on Luzia’s back.
Camera shows Luiza’s back and her front, Hollywood style, as she jerked in the rain of bullet, as holes open on her back and exit her front blood splatting. She tried to maintain her stand, but was pushed by the impact and staggered towards to wall.
The shooting is quite brief, a few second later the bullets stopped and Luzia was against the walk, still standing. She painfully pushed herself against the wall and turned around the face John and the gun men, leaning on the wall, full of holes, breathing with much difficulty with blood coming out of her mouth too, but she is stil standing [ some camera view of her leg and feet]
Her knife was already dropped, so was her purse.
John walked up: “Bitch, yeah, now is it enough bullet for you?”
Luzia is barely alive, and vomiting blood, but she managed a wan scoff on her beautiful face, without any weapon, she raised her right hand, with her thumb up and index finger miming a gun pointing at John, a faint final word was squeezed out of her bloody lip “bang”.
John stepped aside, motioned to his gun man (off camera), and we hear massive gun shots again and this time Luzia’s body was pushed against the wall and twitching and jerking as bullet holes were peppered all over her torso, even arms and a few on her legs, then suddenly, several rounds hit her on her forehead and even face, brains exploded from back of her head, then everything is quite and still for a moment:
Luzia was still standing, more holes on her body [but still manageable blood, not causing completed soaking, still able to see each of the bullet holes], there are 3 bullet holes on her forehead, one on her face on the cheek bone, and one on her chin [ i will confirm the location of those bullet with picture later].
After a few seconds, her body started to slide down, leaving a huge paint rush of blood and gore on the wall behind her, especially a little above where he head used to be, you can clearly see blobs of brain matters sticking on the wall.
She finally fell onto a sitting position and died, leg spreading, in an twisted, humiliating pose , but a very heroic death. Here eyes wide open; her lips half open.
John walked up, kicking her body. He squatted down next to her, holding her chin and twisted her face towards him, looking at her dead face, he spoke many humiliating words.
When he moved her body, we saw her back is totally different from her front. While the her front is still relatively “clean” where we can even count each Buttler hole, her back is totally soaked with blood and gore. The exit wounds have slit open her lower back, a large loop of intestines and organs looped on the floorm, between her back and the wall.
He finally counted total 38 bullets (including those in the head). He even reach his finger into the skull of Luzia and pulled our more pieces of brain, and played with her guts, and jeered that she is so “gutless and brainless” now. All the time Luzia’s eyes wide open and starting into emptiness with an expression of indifference.
FinallyJohn started to look for the mini SD card Luzia took. He searched her phrase but can;t find, eventually as he started to worship her feet again, he took her sandals off to kiss her feet, and found the chips. He proceeded to play with her feet, eventually put the sandals back on when he finished. [ he needs to wash hands clean before this scene, I don;t like blood on the feet]
Finally, looking at Luzia’s now messy dead body, John;s lips curled up in a sinister grin. He motioned to the gun man. They took Luzia’s arm pit and her feet, lifted her up and walked into the bedroom again.
IF YOU LIKE THIS FILM PLEASE CHECK OUT
COVID MASSACRE
TORTURE KILLER")
![ANGELINA GARROTTA EXECUTION - ANGELINA GARROTTA EXECUTION
CAST: Angelina, Max
CUSTOM
«Thank you, that was excellent, even better than I expected! The lighting and camera work were great, and so was the acting. You captured what I wanted and threw in some nice extra elements too. And the process was very smooth and fast».
Customer’s Review
Victim: Angelina. Her hairstyle should be down like in Single Bullets, she should wear her favorite stylish dress and makeup.
Executioner: Any male actor, should look like a gentleman and wear something formal like the male actor in Suspicion.
The executioner walks Angelina to the garroting chair. Angelina’s arms are handcuffed behind her back and the executioner holds her upper arm. The executioner sits Angelina down in the garroting chair. He does not put the rope around her neck yet. He then pulls up a folding chair and sits down in it, leaning in and facing Angelina at eye level. Angelina is confident and gives the executioner a seductive smile.
The executioner says: “You look stunning today.”
Angelina says: “Of course, I know this is being filmed for the victim’s family. I used to be a model, I want to give them a good last performance. I owe them that for their son.”
The executioner says: “You will have your chance in a minute, we just have to wait for the last call from the Tribunal.”
Angelina takes a deep breath and then asks: “Will this hurt?”
The executioner says: “Only for a few minutes. I will be as gentle as I can. Are you afraid?”
Angelina thinks about this for another moment and then says: “Yes.”
The executioner says: “I have a little gift for you.” He unlocks Angelina’s handcuffs and then gives her a flask or mini-bottle of vodka from his pocket. He says: “Here, drink this. It will give you some courage.”
Angelina takes the bottle and drinks it as the executioner’s phone rings. The executioner answers his phone. It is the Tribunal, and they tell him Angelina’s last appeal has been denied. The executioner acknowledges this and hangs up. Then he faces Angelina to tell her the bad news: “Your last appeal has been denied. Are you ready?”
Angelina’s eyes become more afraid. She says, “Wait, wait: You have been so nice to me. I have a little gift for you too. She starts to take off her dress and signals the executioner to help. The executioner helps her take off her dress and throws the dress on the folding chair. Angelina is now completely nude and the executioner stares at her body.
Angelina says: “Go ahead, you can touch them.”
The executioner gently feels Angelina’s breasts and strokes her vagina. He says: “Very nice.”
Angelina says: “I know, it would be a shame to bury them, right?” She summons up all of her composure and tries her best to seduce the executioner to let her go.
The executioner just shakes his head and stands up, takes Angelina’s arms, and handcuffs them back behind her back. He also slides the rope around her neck. As he is doing this, Angelina begs him: “Wasn’t that fun? I could keep doing that.”
The executioner still says nothing, just walks back around to face her. He takes a piece of paper out of his jacket pocket and reads her sentence: “Angelina [last name], you have hereby been sentenced to death for murder. Do you have any last words before the sentence is carried out?”
Angelina begs him: “No, please, this is such a waste of talent.”
The executioner goes behind her as Angelina loses her composure and panics, and the executioner tightens the rope. Angelina struggles. I like her struggle in Mass Female Execution, but she shouldn’t go cross-eyed. It should be a little bit less dramatic and more realistic than in Female Criminal Executed Garrote. She should struggle to open her mouth for air but not be able to open her mouth so wide. Also, Angelina’s neck should stay pinned to the back of the chair because of the rope, but the rest of her body should struggle. She should become weaker gradually over 5 minutes or so without a big dramatic gesture at the end. Then, she becomes limp and unconscious. Her knees should be close together but lower legs and feet should be splayed apart in different directions. Her eyes should also be closed.
There should not be blood, but can you use makeup to create a subtle bruise on Angelina’s neck where the rope was?
After Angelina goes limp, the executioner keeps the rope tight around her neck. The camera pans over all the details of Angelina’s body from her feet to face for another 2 minutes or so. After this is done, the executioner loosens the rope, feels Angelina’s neck for a pulse, and then carries her to a gurney that he wheels to the morgue.
Finally, there is the morgue scene where Angelina lies on a slab with a toe tag, like in Female Criminal Executed Garrote. Except, her hands should be folded on top of each other and rested on the center of her body just under her breasts. The executioner will walk around and take a few pictures of her body from different angles with a camera to send to the victim’s family. Finally, he walks away and turns off the lights.
IF YOU LIKE THIF FILM PLEASE CHECK OUT
FEMALE CRIMINAL EXECUTION
FEMALE CRIMINAL EXECUTION 2
FEMALE CRIMINAL EXECUTION GARROTA](studio/images/modelexecutioncover-55d.jpg "ANGELINA GARROTTA EXECUTION - ANGELINA GARROTTA EXECUTION
CAST: Angelina, Max
CUSTOM
«Thank you, that was excellent, even better than I expected! The lighting and camera work were great, and so was the acting. You captured what I wanted and threw in some nice extra elements too. And the process was very smooth and fast».
Customer’s Review
Victim: Angelina. Her hairstyle should be down like in Single Bullets, she should wear her favorite stylish dress and makeup.
Executioner: Any male actor, should look like a gentleman and wear something formal like the male actor in Suspicion.
The executioner walks Angelina to the garroting chair. Angelina’s arms are handcuffed behind her back and the executioner holds her upper arm. The executioner sits Angelina down in the garroting chair. He does not put the rope around her neck yet. He then pulls up a folding chair and sits down in it, leaning in and facing Angelina at eye level. Angelina is confident and gives the executioner a seductive smile.
The executioner says: “You look stunning today.”
Angelina says: “Of course, I know this is being filmed for the victim’s family. I used to be a model, I want to give them a good last performance. I owe them that for their son.”
The executioner says: “You will have your chance in a minute, we just have to wait for the last call from the Tribunal.”
Angelina takes a deep breath and then asks: “Will this hurt?”
The executioner says: “Only for a few minutes. I will be as gentle as I can. Are you afraid?”
Angelina thinks about this for another moment and then says: “Yes.”
The executioner says: “I have a little gift for you.” He unlocks Angelina’s handcuffs and then gives her a flask or mini-bottle of vodka from his pocket. He says: “Here, drink this. It will give you some courage.”
Angelina takes the bottle and drinks it as the executioner’s phone rings. The executioner answers his phone. It is the Tribunal, and they tell him Angelina’s last appeal has been denied. The executioner acknowledges this and hangs up. Then he faces Angelina to tell her the bad news: “Your last appeal has been denied. Are you ready?”
Angelina’s eyes become more afraid. She says, “Wait, wait: You have been so nice to me. I have a little gift for you too. She starts to take off her dress and signals the executioner to help. The executioner helps her take off her dress and throws the dress on the folding chair. Angelina is now completely nude and the executioner stares at her body.
Angelina says: “Go ahead, you can touch them.”
The executioner gently feels Angelina’s breasts and strokes her vagina. He says: “Very nice.”
Angelina says: “I know, it would be a shame to bury them, right?” She summons up all of her composure and tries her best to seduce the executioner to let her go.
The executioner just shakes his head and stands up, takes Angelina’s arms, and handcuffs them back behind her back. He also slides the rope around her neck. As he is doing this, Angelina begs him: “Wasn’t that fun? I could keep doing that.”
The executioner still says nothing, just walks back around to face her. He takes a piece of paper out of his jacket pocket and reads her sentence: “Angelina [last name], you have hereby been sentenced to death for murder. Do you have any last words before the sentence is carried out?”
Angelina begs him: “No, please, this is such a waste of talent.”
The executioner goes behind her as Angelina loses her composure and panics, and the executioner tightens the rope. Angelina struggles. I like her struggle in Mass Female Execution, but she shouldn’t go cross-eyed. It should be a little bit less dramatic and more realistic than in Female Criminal Executed Garrote. She should struggle to open her mouth for air but not be able to open her mouth so wide. Also, Angelina’s neck should stay pinned to the back of the chair because of the rope, but the rest of her body should struggle. She should become weaker gradually over 5 minutes or so without a big dramatic gesture at the end. Then, she becomes limp and unconscious. Her knees should be close together but lower legs and feet should be splayed apart in different directions. Her eyes should also be closed.
There should not be blood, but can you use makeup to create a subtle bruise on Angelina’s neck where the rope was?
After Angelina goes limp, the executioner keeps the rope tight around her neck. The camera pans over all the details of Angelina’s body from her feet to face for another 2 minutes or so. After this is done, the executioner loosens the rope, feels Angelina’s neck for a pulse, and then carries her to a gurney that he wheels to the morgue.
Finally, there is the morgue scene where Angelina lies on a slab with a toe tag, like in Female Criminal Executed Garrote. Except, her hands should be folded on top of each other and rested on the center of her body just under her breasts. The executioner will walk around and take a few pictures of her body from different angles with a camera to send to the victim’s family. Finally, he walks away and turns off the lights.
IF YOU LIKE THIF FILM PLEASE CHECK OUT
FEMALE CRIMINAL EXECUTION
FEMALE CRIMINAL EXECUTION 2
FEMALE CRIMINAL EXECUTION GARROTA")
